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Handicraft (artesanía) from Ayacucho:

The Sosa family from
Milpo (Millpo) with its workshop for weaving and stitchery

Stitching woman with a little child on her back and a
            child on the floor  Worker on a loom 05, Ciriaco Sosa

Photo reportage by Michael Palomino (March 2007)

Since 2012 this workshop is in an own house in the barrier of Andamarca.

Mobile phone: (0051) 988 70 30 30 (since 2014)

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1. The way to the workshop of Ciriaco Sosa (until 2007)

Plan of
                  the town of Ayacuchofrom Plaza de Armas to Andamarca
                  with its workshop Sosa, Avenida las Palmeras 301,
                  Santa Ana, Ayacucho, Tel. 0051-(0)66 52 62 50 (since
                  October 2007)
vergrössernPlan of the town of Ayacucho from Plaza de Armas to Andamarca with its workshop Sosa,

since 2008: Avenida las Palmeras 301, Santa Ana, Ayacucho,
Mobile phone: (0051) 988 70 30 30 (since 2014)
millpu@hotmail.com


The old way to former weaving workshop in Andamarca district of Ayacucho (until 2007)
Jiron
                        Astete, country road vergrössernJiron Astete, country road

At the corner of Jiron Astete / Jiron Caceres the paved road finishes. Half of Ayacucho has no paved roads, there are whole quarters in country roads. The cars and bikes only can drive slowly, nature lovers will love it.
JiJiron Astete, walls and bikers vergrössernJiron Astete, walls and bikers
The steep Pasaje Alameda Bolognesi vergrössernThe steep Pasaje Alameda Bolognesi

Some streets in Ayacucho are very steep, that steep that only a moto taxi can pass. Such steep streets often end with a stairs like here.
Catastrophic road condition at the passage
                        to the Pasaje Alameda Bolognesi vergrössernCatastrophic road condition at the passage to the Pasaje Alameda Bolognesi

In this case of the Pasaje Alameda Bolognesi there is a passage besides the stairs, with wholes of about 50 cm in it. Here only moto taxis can pass which have 3 wheels and can pass any whole because of this.
Catastrophic road condition at the passage
                        to the Pasaje Alameda Bolognesi, view from
                        above vergrössernCatastrophic road condition at the passage to the Pasaje Alameda Bolognesi, view from above

There is just nobody doing anything!

Jiron Astete, catastrophic road condition,
                        vehicles drive slalom around the wholes vergrössernJiron Astete, catastrophic road condition, vehicles drive slalom around the wholes

The street to Andamarca has heavy "rain tracks". The vehicles have to drive in a slalom around the wholes. Nobody is filling the wholes, nobody is "responsible". This is normal in Ayacucho. So one asks oneself: Who has got the big money, and who has got the responsibility in Ayacucho?

Jiron Astete, waste dump on the slope of
                        the dry river vergrössernJiron Astete, waste dump on the slope of the dry river

In Ayacucho the dry rivers often are abused as waste dump. The mentality says: When rain is coming all will be moved downwards away. From November until April this is more or less functioning, but from May to October there is no rain and all the river bed and all the quarter is stinking like a waste dump.

In the waste dump there is not only a festival for rats, but also pigs or other big cattle can be seen looking for rests of food in the river bed. The animals are marching up the river bed, and also indígenas...

[In 2009 this waste dump was eliminated and grass was planted].

Cottages at the dry river with indígenas vergrössernCottages at the dry river with indígenas

The indígenas are accustomed to all kinds of life conditions and risk to built their cottages deep into the river bed. There is no cheap soil otherwise. When almost all houses in Ayacucho only have a ground floor or only have one floor, it's real that there is in fact no other cheap soil to have there...
Cottage on the dry river without window vergrössernCottage on the dry river without window

The indígenas are building their cottages with very few windows because the Peruvian windows never are airtight. So, there are whole walls without windows. So, cottages without any window are a survival strategy.

[In 2009 here was a channel constructed to protect the cottages. But this is no solution  because all animals in the dry river lost their homes, and when there is much water the channel is flowing over and the cottages will be damaged as well].
Jiron Astete, the bridge to Andamarca Alley
                        (Avenida Andamarca) vergrössernJiron Astete, the bridge to Andamarca Alley (Avenida Andamarca)
Waste / trash in the river bed under the
                        bridge vergrössernWaste / trash in the river bed under the bridge

In this place at the bridge is also a "wild" toilet for people of the quarter who have no bathroom and no WC. Such houses without bathroom and without WC are often in the outer quarters of Ayacucho as also houses without current.

When there is rain one cannot go to the toilet, that's simple. But there is a "shower" for free like in the rain forest.
Avenida Andamarca, catastrophic road
                        condition, biker and pedestrian vergrössernAvenida Andamarca, catastrophic road condition, biker and pedestrian

The man who looks rich maintained that the people who maintains not having any water or current they would lie. The arrogance of the rich against the poor in the Sierra is without any limits, and the state treats the poor worse than foreigners. There is practically nothing for them.
Avenida Andamarca, catastrophic road
                        condition vergrössernAvenida Andamarca, catastrophic road condition

Here a "side road" is going up...

Behind the big wall a big cattle shed for big cattle is installed. So it will smell good!
Avenida Andamarca, the house with the
                        workshop of Ciriaco Sosa in the first floor vergrössernAvenida Andamarca, the house with the workshop of Ciriaco Sosa in the first floor

Jiron Andamarca manzana 2, Ayacucho, Tel. 0051-(0)66-52 62 50.

In the first floor one can find the workshop of Ciriaco Sosa from Milpo (Millpo). Here people from Milpo are stitching and weaving to get the money for their life. In the ground floor a harp producer is installed. He has no window panes but the windows are closed by 3/4 with wood. Window panes are too expensive, and the house owner does not help...
Avenida Andamarca, entrance door of the
                        house with the workshop of Ciriaco Sosa,
                        entrance door with address label
vergrössernAvenida Andamarca, entrance door of the house with the workshop of Ciriaco Sosa, entrance door with address label

There are no door bells in Peru. Also such an address label with an address in big letters is rare. I said to Ciriaco Sosa he should place another label with its name, with the word "workshop" and "Milpo" so the people would know that there is a workshop with people from Milpo. But nothing happened. The poors are too modest to make promotion for themselves. The people need marketing courses. Or they are afraid of thefts and by this don't write what's going on in this house...
House of the workshop of Ciriaco Sosa, the
                        sons at the only water tap of the house vergrössernHouse of the workshop of Ciriaco Sosa, the sons at the only water tap of the house

This water tap is the only water tap of the whole house. The house can be glad for having water tap which has water because many houses in the outer quarters  have no water tap at all.
House of the workshop of Ciriaco Sosa, the
                        only water tap of the house, the sons sitting in
                        the background vergrössernHouse of the workshop of Ciriaco Sosa, the only water tap of the house, the sons sitting in the background

The sons of Ciriaco can go to school, and this costs much.



2. The staff members / workers at work

Staff member at the loom 01 vergrössernStaff member at the loom 01

One loom alone costs very much for the poors.
Staff member at the loom 02 vergrössernStaff member at the loom 02
Staff members in a discussion vergrössernStaff members in a discussion
Women staff members in a discussion vergrössernWomen staff members in a discussion
Boy in a tub vergrössernBoy in a tub
Loom
                        open air 01 vergrössernLoom open air 01

It's also possible to work open air.
Loom
                        open air 02 vergrössernLoom open air 02
Loom
                        open air 03 vergrössernLoom open air 03
Indígena mother with children and water
                        canister vergrössernIndígena mother with children and water canister

For poor people without water tap the water canister is absolutely normal, or also when the tap water comes only for some hours.
Children with water canister vergrössernChildren with water canister

When there is only water from water canisters the water has to be boiled before drinking of course. This provokes much energy consume and much money is lost by this, and the rich of the country have no idea of this...

Working group in a semicircle 01 vergrössernWorking group in a semicircle 01

Mothers are here with their children. Most of the children cannot go to school because the parents don't have the money for the school uniforms (200 Soles every year for one school uniform, and a sports uniform costs another 200 Soles, so all in all 400 Soles every year for school uniforms for each child). For the indígenas it's impossible to pay the school uniform for each child in the school age.

By this the Peruvian state is discriminating children when the expensive school uniforms are compulsory, and by this the Peruvian state produces his illiterate people, and these children stay dependent from their parents. The children automatically copy the work of their parents because the children want to do something useful, and because playgrounds are rare. The parlor becomes a replacement for the playground and the work becomes a replacement for the plays.

Other poor parents send their children to sell things, to clean shoes, send them for begging etc.

Working group in a semicircle 02 vergrössernWorking group in a semicircle 02

One has to know that this is the only productive possibilities for work for these people. As indígenas they are discriminated in the country, as illiterate they are discriminated one more time. The costs for transport to their settlement are high (one trip is 6 Soles, ca. 2 "US" Dollars). The money is not enough for other things than the food, and when the harvest is bad also the food is not enough.
Working group in a semicircle 03 vergrössernWorking group in a semicircle 03

There is no law of emancipation for the indígenas in Peru because the state with it's corrupt government does not want to realize the base equipment for the indígena settlements. But one has to consider that the indígenas are the direct descendants of the Incas, and the state's propaganda is using the Incas always for it's "national" propaganda...
Working group in a semicircle 04, upright vergrössernWorking group in a semicircle 04, upright

So, when one sees on these photos little children between 0 and 5 years it's not sure if these children will live the next year because in the indígena settlements of the Sierra regularly 10% of the children between 0 and 5 years die because of hunger and cold. But for the Peruvian government in Lima this is not important as long as the entire population of Peru as a whole is rising in it's statistics...
Working group in a semicircle 05, upright vergrössernWorking group in a semicircle 05, upright

In the indígena settlements are missing products like honey, chocolate, a good spelt bread or an amaranth bread etc. There are missing many products which are important for a survival in the cold climate. All this has to be bought in Ayacucho and has to be transported by combi with the few money they get from the workshop of Ciriaco Sosa. Or they sell things, clean shoes, or they are begging. And for many products there is no money left. For example gas bottles cannot be found in Milpo (Millpo)...

Working group on the door in a semicircle
                        01 vergrössernWorking group on the door in a semicircle 01

Ciriaco Sosa took photos of the group "through the house door" in a not so favorable light
Working group on the door in a semicircle
                        02 vergrössernWorking group on the door in a semicircle 02

The Peruvian state with it's corrupt government consisting of mestizos and whites in Lima refuses any support to the handicraft in the Sierra. The state gives not one single centimo. But this state makes "national" propaganda with his markets for handicraft in Lima. Until today the state is not ready only to make a visit to the handicraft workshops and to see how the population lives. As long as there is no epidemic which would threaten Lima not one single representative of Lima will visit the indígenas to clarify the life conditions. Respectively when there is an epidemic in the indígena population the government will be happy because this population is not needed in the government's politics...

Working group on the door in a semicircle
                        03 vergrössernWorking group on the door in a semicircle 03

The illiterate indígenas themselves - and a part of them have no telephone - are not prepared for demonstrations for their rights. When they cannot read nor write they don't feel strong enough against the Peruvian capitalists of Lima who have no idea what's the feeling when a child in the Sierra is dying because of hunger and cold...
Working group on the door in a semicircle
                        04 vergrössernWorking group on the door in a semicircle 04

The big profits of tourism in the Sierra (Machu Picchu etc.) is going all to Lima. The administration of the Sierra is in Lima. The government has no idea of the life conditions. The arrogant capitalism of Lima is not interested for the Sierra population. But: The indigenas are the direct descendants of the Incas!

Part of a group with Ciriaco Sosa and
                        tapestry in the background (span. tapiz) vergrössernPart of a group with Ciriaco Sosa and tapestry in the background  (span. tapiz)
Part of the group with Ciriaco Sosa and
                        children vergrössernPart of the group with Ciriaco Sosa and children

It's not sure if the little child at the right will survive the winter.


Stitching woman, woman tearing wool, and a
                        little child vergrössernStitching woman, woman tearing wool, and a little child
Little child, boy and stitching woman vergrössernLittle child, boy and stitching woman
Stitched bag and child, finger fault vergrössernStitched bag and child, finger fault

Stitched bag with child
vergrössernStitched bag with child

It's a pity that the girl (about 12) with the woven and stitched bag was not there another time otherwise there would have been possible a better photo.


A woman worker stitching a band 01 vergrössernA woman worker stitching a band 01
A woman worker stitching a band 02 vergrössernA woman worker stitching a band 02
Stitching woman with a little child on her
                        back and a child on the floor vergrössernStitching woman with a little child on her back and a child on the floor

Will the little child survive the winter? It's not sure...
Stitching woman with a broad band vergrössernStitching woman with a broad band
Worker on a loom 03 vergrössernWorker on a loom 03
Worker on a loom 04 vergrössernWorker on a loom 04
Worker on a loom 05, Ciriaco Sosa vergrössernWorker on a loom 05, Ciriaco Sosa
Worker on a loom 06 vergrössernWorker on a loom 06
Worker on a loom 07 vergrössernWorker on a loom 07
Victoria Sosa with a woven bag with motive
                        of birds vergrössernVictoria Sosa with a woven bag with motive of birds
Woven bag with motives of birds, closeup vergrössernWoven bag with motives of birds, closeup

The motives of birds are wedding symbols
Tapestry
                        (span. tapiz) vergrössernTapestry (span. tapiz)

This tapiz is an important element of the pride of Ciriaco Sosa.


3. Wool and coloring wool on the open fire

Victoria Sosa showing a woven and stitched
                        money bag vergrössernVictoria Sosa showing a woven and stitched money bag

The wool is hanging on the hook in
                        different colors
vergrössernThe wool is hanging on the hook in different colors

Ciriaco Sosa on a wool rewinder machine
vergrössernCiriaco Sosa on a wool rewinder machine

The wool comes from two shafts and is strained over the lamp and is re-winded on the big square. Why this is done was not explained, probably for a loom.

Wool rewinder machine, lamp mechanism on
                        the petroleum lamp
vergrössernWool rewinder machine, lamp mechanism on the petroleum lamp

The house hasn't got any current. The petroleum lamp is the only light in the evening. Popular saying it's a "Petromax".

Ciriaco Sosa with a tapestry (span. tapiz)
vergrössernCiriaco Sosa with a tapestry (span. tapiz)

This motive seems to be traditional with the people of Milpo (Millpo).

Worker with tapestry (span. tapiz)
vergrössernWorker with tapestry (span. tapiz)
Group foto with Ciriaco Sosa and Michael
                        Palomino 01
vergrössernGroup photo with Ciriaco Sosa and Michael Palomino 01

The people thought I should be on a photo for sure.
Group foto with Ciriaco Sosa and Michael
                        Palomino 02
vergrössernGroup photo with Ciriaco Sosa and Michael Palomino 02
Ciriaco Sosa coloring wool on the open fire
                        01
vergrössernCiriaco Sosa coloring wool on the open fire 01

Ciriaco is proud that he is coloring his wool with natural colors on the open fire. At the right side there is hanging white wool which has to be colored yet.

Ciriaco Sosa coloring wool on the open fire
                        02
vergrössernCiriaco Sosa coloring wool on the open fire 02
Ciriaco Sosa coloring wool on the open
                        fire, Victoria Sosa and a son
vergrössernCiriaco Sosa coloring wool on the open fire, Victoria Sosa and a son
To color wool: Yellow, fresh colored wool
vergrössernTo color wool: Yellow, fresh colored wool
Ciriaco Sosa giving color into the hot
                        water on the open fire
vergrössernCiriaco Sosa giving color into the hot water on the open fire
White wool is added to the colored water
vergrössernWhite wool is added to the colored water

Wool in the kettle
vergrössernWool in the kettle
Colored wool is taken out
vergrössernColored wool is taken out
Fresh colored wool is hanging for drying
vergrössernFresh colored wool is hanging for drying

vergrössernNeighbor girl with white cat 01-04

The girl is the doughter of the harp producer in the ground floor.

The harp producer himself didn't want to be taken on a photo...
Neighbor girl with white cat 01 Neighbor girl with white cat 02
Neighbor girl with white cat 03 Neighbor girl with white cat 04
Ciriaco Sosa with woven bag with motives of
                        birds with signature "Sosa"
vergrössernCiriaco Sosa with woven bag with motives of birds with signature "Sosa"

Ciriaco Sosa wants to have a bigger workshop resp. he would like to buy a property and to build a bigger workshop. That for he needs 3000 Soles (1000 "US" Dollars) which nobody has in Milpo. The workers are there, tourists are there who buy the products, only some money is missing.
Woven bag with motives of birds with
                        signature "Sosa", closeup
vergrössernWoven bag with motives of birds with signature "Sosa", closeup

And it would be good when the goverment in Lima would give up the boycott of the Sierra population at last!

[There are some electricity and water programs, but pre schooling and schooling without uniforms is not introduced (2011)].



Since 2012 this workshop is in an own house in the barrier of Andamarca.

Mobile phone: (0051) 988 70 30 30 (since 2014)

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